Indie Monday

Today’s guest: Andy Lockwood

 

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With so many cancellations of in-person author events due to World War C, I’m devoting my blog to Indie Monday interviews for the coming months to help my fellow authors with promotion. I’ll be featuring indie and small-press authors who produce quality work outside the boundaries and strictures of the traditional mass-produced, mass-marketed commercial publishing world and traditional bookstore shelves.

Today I’m happy to host Andy Lockwood, author of horror and supernatural fiction. A prolific writer, Andy has published the novels Empty Hallways (2013), House of Thirteen (2015), and the newly-arrived Threshold (2020). He has also published At Calendar’s End: Omnibus (2017), a compilation of his twelve-part At Calendar’s End serial begun in 2016. He has also contributed short fiction to several anthologies.

Recently I posed some questions to Andy. Here’s what he told me.

DL: Could you tell us a little about yourself?

AL: Obviously, I’m an author—independently so and Michigan-based. I write horror and supernatural fiction. I’m a horror buff, so it was only natural for me to gravitate to that genre. I recently published my fourth novel, and have numerous stories in anthologies.

I’m also a pop culture and multimedia addict. I absorb creativity in all its forms: movies, tv, art, video games, comics, books, songs, podcasts . . . you name it, I love it all.

I have two degrees in film and have made a few short indie films. I’ve created comics in my off-time. I love to draw and design and create. I have a million side-hustles—screen printing, woodworking, painting, etc.—that I pick up and put down constantly. It’s a wonder I’ve gotten anywhere with any of them.

I’m one of your typical “I’ve always been a storyteller” people. I started telling stories when I was young. I’ve played with comics and video and written narratives, bouncing from one medium to the next because I couldn’t settle. Studying film opened my eyes to some amazing subtleties in writing and narrative, and has heavily influenced my writing style. I’m told quite often that my writing “is like watching a movie.” I really appreciate that.

When I write, I’m not creating; it’s more like transcription. In a way, every story I write is a novelization of a film—it’s just that those films are all in my head. I’m putting down what I see playing out before me. Often, I’m discovering the plot right alongside the characters; I try to have an idea of what is going on, but I’m rarely included in the plot development.

By trade, I’m an eLearning Developer. Not the most common profession, even now, but it’s gotten some attention in recent months. All those courses people are taking from home? That’s kind of what I do, more or less. I’ve been working in the industry for thirteen years, and absolutely love it. I love balancing learning with fun, tempering education with interaction. There’s as much science in there as there is art.

Most importantly, I’m happily married. Bailey is my wife, editor, partner-in-crime, and steadfast supporter. She’s my Swiss Army Wife—whatever the problem is, she’s got a tool to help me fix it. Whether I am struggling with my writing, or art, or depression; maybe I’m being indecisive or high-strung or—heaven forbid—melodramatic; Bailey has some method of helping me through it. She’s always been a helper like that. She’s also one of the most fun, smart, interesting people I know. I’m lucky she tolerates me.

DL: Tell us about your latest book and works in progress.

AL: My latest book, Threshold, came out May 1. It’s been a very strange release, but interesting nonetheless. It’s certainly given me an opportunity to find new ways to get the word out about my book, rather than relying on face-to-face events. I certainly appreciate the opportunities I’ve been given to promote myself through other people’s blogs and social media outlets. It’s amazing how gracious and supportive fellow writers like you are, so thank you. I genuinely appreciate it.

On the surface, Threshold is a story about a young woman who acquires an antique mirror—one that is more than it seems. As the story unfolds, we learn that her reflection has a personality of its own. But is that real? Or is it all in her head?

My stories all stem from my own fears and fascinations. Threshold is no exception. I’ve always been fascinated by reflections—not in an egotistical way, but by the clarity of the room beyond the mirror’s surface. A perfect parallel to our own. That there is such a thin surface separating us from that world and what might lie beyond it is always scratching at the back of my brain, so I tried to let that fascination loose on the page to see what might happen.

This story is also the continuation of an on-going experiment. It is very much a love story folded into elements of supernatural horror. Since I started my first novel, Empty Hallways, I started consciously working from a position of, “I don’t write horror stories, I write love stories where horrific things happen.” Threshold is a testament to that. It’s more than a story about an ancient mirror with supernatural properties—I want my readers to care about what happens to the people involved: Cate, Lucas, their friends and family. I want to know that the story affects my readers.

I think every author has that desire and that longing. I hear how creepy my stories are. How readers leave the lights on, jump their own shadows . . . I’m not complaining—that’s great. That’s exactly what I want. But there’s another part of the story that I worry everyone is missing out on: that human element. I always want to know about the rest, how everything else affected them. I’ve worked at that in my other novels, but I think it really came together in Threshold.

I’m always in some stage of writing on a couple of short stories. One is currently for the next installment of Recurring Nightmares, an anthology produced by the Great Lakes Association of Horror Writers.

DL: Why do you write? What do you hope to accomplish with your writing?

AL: I write because I’m a storyteller. Because to not write—to not weave tales and create—is detrimental to my health. Creativity is part of my existence.

Sometimes, I write because the stories I experience don’t satisfy me. Maybe I didn’t like the ending. Or maybe they wasted too much time with extraneous details. I don’t need origin stories, let’s just cut to the story. These are my hangups, obviously, we all love different things for different reasons. But when something doesn’t sit well, it sticks with me. I think about what I would have done differently, what I wish would have happened. Eventually, I start writing my own version—a completely new story on those old bones.

The great thing about this is it can work for anyone. If you don’t like a story, analyze it. Figure out what you don’t like, what would be better to you, and start writing. Make your own story out of those bones and make it better than what you read.

I guess this is what it comes down to for me: I want to show people that it can be done. I meet people all the time who find out I’m a writer and they say something like, “Oh, I wish I had what it takes to write.” You do. Everyone does. There is no difference between me and any other writer on the planet except time spent at the keyboard and the number of words put on the page. I refuse to accept “I can’t” when it comes to writing because you can. If you can post an opinion on Facebook, you can write a novel, you have all the tools necessary. You just have to take the time to do it.

DL: Please talk about your writing process. Where do your ideas come from? What is your favorite part of the process? Least favorite?

AL: My ideas come from everywhere. From other people’s stories, from nightmares and daydreams, from silly thoughts spoken out loud on car rides. There’s a million ideas in my head and on my notepads at any given time, but it’s the ones that are too loud to ignore that get turned into stories. They take up the most space in my head and need to get out. It’s why I have a list of stories that I *want* to write, but I haven’t gotten around to them yet.

My favorite part of the process is the ideas: it’s fun to conjure up ideas. Even bad ones. The bad ones can actually build into the best stories. You know what is terrible about a bad idea, so you can start picking it apart and fixing it right away. it’s harder with a good idea that isn’t good enough. We like good ideas. We’re proud of them. They’re harder to throw away when they’re flawed. We’re already attached.

The worst part of the process is editing. I just want it to be polished and done. I don’t want to fix plot holes and correct issues and add more elements that I don’t want to be there. I just want to write the first draft and be done. I know that’s not how it works, but it’d make me happier if it did.

DL: Could you reflect a bit on what writing or being a writer has meant for you and your life?

AL: *laughs* It’s certainly made my eccentricities easier for people to accept. “Why’s he like that?” “He’s a writer.” “Ohhh.”

In some ways, not much has changed. It’s one more thing to juggle, and one more thing I have to make time for. But there is always something occupying those hours, so why not writing?

In other ways, it’s been a nice change. Writing is a solitary existence. It’s you, alone with your thoughts a lot of the time while you are working. So, one of the nicer things to come out of being a writer has been connecting the Michigan author community, and the indie author community at large.

It’s an amazing comfort to be part of a network that understands what I am going through—even if we aren’t in the same genre. There are frustrations that only authors have. Things that sound insane to non-writers. It’s a relief to have a community that you can vent to. That shared experience can carry you through a lot of strife, and it creates bonds that wouldn’t exist otherwise.

I’ve made some good friends in this community. Every book event is like a reunion. I look forward to seeing everyone, their new books, and new booth setups. It’s been hard not being part of these events this year. I still have the community online, of course, but it’s not the same.

DL: What are links to your books, website, and blog so readers can learn more about you and your work?

Website/blog: https://www.happierthoughts.com/

Amazon author page: https://www.amazon.com/Andy-Lockwood/e/B00EZAVBEU

Facebook author page: https://www.facebook.com/happierthoughts/

Twitter: https://www.twitter.com/randomgauge/

Author: Donald Levin

A prize-winning fiction writer and poet, Donald Levin is the author of six Martin Preuss mysteries: Crimes of Love, The Baker's Men, Guilt in Hiding, The Forgotten Child, An Uncertain Accomplice, and the newest, Cold Dark Lies. He is also a contributor to Postcards from the Future: A Triptych on Humanity's End, and has recently published a sequel to his contribution, The Exile. He is also the author of The House of Grins, a novel, and two books of poetry, In Praise of Old Photographs and New Year’s Tangerine. He lives and writes in Ferndale, Michigan, the setting for the Martin Preuss Mysteries.

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