Indie Monday

Today’s guest: Diana Kathryn Plopa

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Every other Monday, I’ll be featuring other authors on my blog—authors who produce quality work outside the boundaries and strictures of the traditional mass-produced, mass-marketed commercial publishing world and traditional bookstore shelves.

Today’s featured guest is the multitalented novelist, memoirist, short-story writer, editor, publicist, publisher, writing coach, and television host Diana Kathryn Plopa. She holds a degree in English, with a concentration on creative composition, as well as a certification in early childhood development.  In addition to her published books described below, she has also edited several anthologies. She has worked as a features writer for a Detroit newspaper, wrote copy for several websites and blogs, and wrote copy for a popular Detroit radio program. She currently directs Pages Promotions, LLC, a Michigan-based marketing and publicity advocate working with independent authors to promote and present their books to the public. She also hosts Indie Reads TV, a new community access television program for southeastern Michigan.

 

Recently I posed some questions to Diana. Here’s what she told me.

DL: Diana, welcome. Could you tell us a little about yourself?

DKP: I’m a wife, mother, dog mom, and passionate person of the book.  I love the written word more than almost anything else. My muse is a small, invisible mallard duck named Drake, who has been with me since about age seven. Hot cocoa is my secret weapon, and snow is my kryptonite. I gain tremendous personal satisfaction from helping other Indie Authors reach a wider audience and I host a weekly television program just for that purpose. I’m an editor, Indie Publisher, and mentor to writers of nearly every age, stage, and genre, from school-age children to senior citizens. I believe cheese is a major food group. I encourage everyone to go on a hot air balloon ride, and go indoor skydiving at least once in their lifetime, because controlled chaos is a thing everyone should experience so they can write about it with acumen. I support building libraries in all towns with a population greater than one (if you live alone on a desert island, or in the middle of the woods, you should have a library of at least twenty books in your home at all times). When I’m not writing or reading, I love kayaking, playing with the dogs, bonfires, music, hiking in forests, swimming, and impromptu storytelling.

DL: Please tell us about your latest books and works in progress. Where did the ideas for those works come from?

DKP: It’s interesting to contemplate answering that question. The first thing that comes to mind is Neil Gaiman’s answer (YouTube it here, it’s priceless). And yet, I won’t dodge . . . for me, ideas come at me from every direction, and in nearly every moment of my day. No kidding. I once walked down a street with a friend in a part of East Lansing I’d never encountered. As we were walking, I saw a narrow blue door that led to an upstairs flat. It had a glass window that, because of the way the sun was hitting it, seemed to be opaque. I went home that afternoon and wrote a short story about that door and where it might lead and who or what might be on the other side. (I’m still waiting to figure out what to do with that piece, but I wrote it.) Truly, story ideas come from everywhere, at any moment.

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My book, Free Will, came from a very serious religious conversation about the Old Testament and the concept of free will on Earth, yet preordained destiny in the afterlife. That lead me down a “what if” path that ended with a giggle-fest. That story begged me to write it.

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A Tryst of Fate began as a collection of short stories that I thought might simply be a collection with perhaps a few of them working into a novella one day. Drake pointed out that they all followed a similar theme. Once I accepted that, Drake then suggested that I weave them together with a backstory, and TADA! A novel was born.

The novel I’m working on right now, Splinters, is a western; a genre that I thought would be outside of my reach, until you, Don, suggested that I take a crack at it anyway. See what happens when you plant a seed? It began as a thought experiment in your memoir writing workshop, and now it’s about thirty thousand words into a western adventure which I hope to release in December of this year. Who knew? Certainly not me!

Also in the works are a political thriller which Drake outlined late one night after several weary hours of the evening news and has accumulated about sixty-five thousand words already; a science fiction story that noodled its way into my imagination after a conversation with a psychologist about the concept of what might happen if a society implemented a program of extreme-anger management; an “alternative” historical piece that Drake insisted I outline while we were watching a National Geographic special in a hotel room in Muskegon the night before a book festival; and a children’s book about elephants that keeps needling at me since my mother’s death several years ago.

So, I guess, to answer your question, I find wayward ideas lingering in empty alleys, in philosophical conversations, in thought experiments, and in abandoned emotional warehouses in unspecified locations. Drake and I collect them, treat them gently, and sometimes they become stories that eventually grow into novels. I have neither control nor influence . . . although Drake tells me he can get me a great deal on a bestselling plot —if only I settle down and ignore everything else. I tell him, thanks, but just not yet. It’s too much fun to write lots of stories simultaneously. I can wait for stardom. But that doesn’t keep me from buying the occasional lottery ticket and dreaming about my lonely writer’s garret on an island off the coast of Greece with a plate of flaming cheese, a puppy at my feet, and a new novel in the works.

DL: Why do you write? What do you hope to accomplish with your writing?

DKP: I have a shirt that says, “I write for the same reason that I breathe; because if I didn’t, I would die.” That kind of sums up why I write. I think that if I ignored the ideas, shut Drake out of my head, and put down the pen and keyboard, I’d be an excruciatingly depressed person. This writing thing is what gives my life meaning and makes me feel whole.

As for what I want to accomplish, well, that answer has three parts. First, I write so I can turn off my brain at night and sleep. It sounds wacky, but it’s true. If I don’t get it on paper, it just nags at me and I don’t sleep. I’m sure there’s some psychotic diagnosis for that, but it has yet to be revealed. Second, I write to satiate a curious fascination with what genre might actually be my favorite. You see, I don’t know yet, what I like best of all. So, I’m on a quest to write one book in all thirty-three major genres. I think writing is a little like eating ice cream, you have to try all the flavors before you can declare a favorite. Finally, aside from sleeping, remaining sane, and feeding my own weird curiosity, I’d like to think that my writing contributes something positive to the lives of those who read my work. Perhaps it helps them fall asleep; maybe it tickles their brain with a thought they haven’t had before; maybe it inspires them to take a stab at writing themselves; or perhaps it just simply makes someone happy. I don’t really have any grandiose expectations for what my writing should do.However, above all else, I want to contribute something to the world library—be it good, or mediocre. I think there’s always room for more stories.

DL: Please talk a little about your writing process. What is your favorite part of the process? Least favorite?

DKP: I love the outline stage. That feeling of crafting something new, feeling out all the pieces, and putting them together to form a story is quite exhilarating for me. I love the actual writing part, too, because my brain goes to places sometimes that surprises me. I like that a lot. It’s a nifty thing to watch what appears on the screen and think to myself, “Wow, I’ve never had that thought before, that’s interesting.” The act of creation is fun beyond description.

As for my least favorite part?  I’m not a fan of implementing a new marketing program for each book. Yes, I write in several genres, so each book needs to be presented to readers differently. But that would be true even if I were to stick with only one genre. Books aren’t widgets, and they require different approaches to reach different readers. I understand that, but I’d much rather have a magic script that would entice people of every background and interest to buy every one of my books equally. That is a fantasy, of course. So, I have to do the work of marketing. Don’t get me wrong, I genuinely enjoy meeting readers; that’s not the tough part. The tough part is figuring out things like what tagline is going to be enticing, how should I write the back-cover blurb, what festival table display will catch the most interest, and what social media memes are going to draw the most attention. It’s an elusive magic formula that’s impossible to get right every time. Yeah, I’d much rather only work on writing or outlining the next book. But just like the “terrible twos” are part of raising children, and housebreaking is part of inviting a puppy into your life, marketing is part of writing books. You’ve got to do it. But it’s not my favorite part of the process.

DL: Could you reflect a bit on what writing or being a writer has meant for you and your life?

DKP: When I was a kid, we didn’t have a television in the houses for several years. It broke and my parents took their time replacing it. So we read—a lot. I fell madly in love with books. They were so much more exciting for me than television. I liked being able to imagine through the words, putting my own spin on it all. As I got older, I discovered that words were so much more powerful than anyone had ever let on. In elementary school, words were the only way I could understand math. I had a modicum of success with story problems. In middle school, my attention to detail and a large vocabulary rewarded me with good grades on research papers and lots of passes to the library, which is far better than sitting in a classroom, any day. In high school, I was part of the theatre program. Storytelling helped me fit in when I felt mostly awkward. I cultivated a boat load of friends. They all “got” it.  Storytellers . . . I’d found my tribe.

As an adult, working in the corporate environment, learning to weave words helped me land better jobs, make more money in those jobs, and garner more appreciation from my boss and coworkers. Working in journalism taught me the value of story and how story impacts lives. I’d found my calling. Now, helping others experience the same joy found in words and world creation, I can’t imagine doing anything else with my life.

DL: Many thanks for joining us today, Diana. What are links to your books, website, and blog so readers can learn more about you and your work?

DKP: My author website is www.DKPWriter.com, and there’s a page there where people can read about my books, and order them in both print and ebook formats. For those die-hard Prime members, I also have an author page on Amazon.

My professional author website shares space with my Author Advocate and Publishing company website, www.PagesPromotions.com. There’s a lot going on in my little cyberspace, with tons of opportunities for readers to discover authors, and writers to discover literary services, including an episode schedule for Indie Reads TV, writing contests, community service projects, writer’s support groups, and so much more. I’ve even got a Blog Thingy page where I talk about writing craft things, post book reviews, and a host of other creative thoughts.

I’m a little exuberant with my level of engagement when it comes to bookish things, so don’t be too surprised at all the content. I welcome any and all contacts. I always give quarter, and never take prisoners.

Thank you for your kind invitation to share my story with you and your blog readers, Don. I genuinely appreciate it!

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Indie Monday

Today’s guest: Thomas Galasso

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Every other Monday, I’ll be featuring other authors on my blog—authors who produce quality work outside the boundaries and strictures of the traditional mass-produced, mass-marketed commercial publishing world and traditional bookstore shelves.

Today’s featured guest is the multitalented author, musician, actor, and teacher Thomas Galasso. Thomas received his bachelor of arts in English from Wayne State University, and eventually earned a teaching certification in Secondary English, Speech, and Drama. He also received a master of arts in English from Marygrove College. He has been teaching in Detroit Public Schools for over twenty years. He worked on another certification, and now teaches kids with Autism. His “serious hobby” is playing guitar, bass, a little harmonica, and singing. Thomas is the author of a novel, When the Swan Sings on Hastings (Aquarius Press, 2017), described in detail below.

Recently I posed some questions to Thomas. Here’s what he told me.

DLThomas, welcome. Could you tell us a little about yourself?

TG: I was born and raised on the East Side of Detroit. My grandparents were immigrants from Italy and never spoke English fluently. My mother at five or six years old, remembered pulling into Ellis Island and got so excited, she started ringing the ship’s bell. My parents never graduated from high school, but they were serious about education. They sent my sister and me to Catholic school for twelve years. Early on in grade school, I was an avid reader and I used to make what is now considered graphic literature. My first story I ever wrote was in third grade. It was about a kid who wakes up and has a head of cabbage instead of his own head. I won some contest in school for it. However, I stole the idea from a similar story I read at the neighborhood library and then put my own spin on it. At the time, I didn’t understand plagiarizing or its crime, but I certainly was not going to say anything.

When I got to be a teen, we took the bus downtown to J.L. Hudson Department Store and I fell in love with exploring downtown. We also spent a lot of time at Belle Isle, as well. I took Creative Writing classes at Wayne State and then got involved in theater. After doing a dozen plays or so, I spent one year making a living on just acting. I joined Actor’s Equity, the Screen Actor’s Guild, and American Federation of Television and Radio Artists, three unions I no longer belong to since I stopped paying dues. I studied acting at the University of Detroit and with famed actress/acting teacher/author, Uta Hagan, both here in Detroit and at her old HB Studios in New York City.

DL: Tell us about your latest book and works in progress. Where did the ideas for those come from?

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TG: My debut novel, When the Swan Sings on Hastings, is under the genre of historical fiction. It’s about a group of black and some white businessmen, numbers runners, hustlers, and Hastings regulars who face the destruction of their beloved neighborhood to make way for I-75 in an age of segregation. The neighborhood was razed from Gratiot all the way beyond Warren Ave.

The novel has a very interesting upbringing. It started as a bunch of dramatic monologues and then morphed into a one-act play that I wrote and directed for my drama class. It was performed at Detroit Northern High School where I taught. A year before I wrote the play, I was teaching drama at a DPS middle school. We put on a show every year for Black History Month that would include my drama class, the vocal music class, and the school band. The vocal music teacher, Ms. Rosalind Stearns-Brown, is also the daughter of Turkey Stearns, the Hall of Fame outfielder who played for the Detroit Stars of the Negro Leagues. His plaque is on the wall outside Comerica Park. (Ms. Stearns-Brown also sings the National Anthem every year for the Negro League series game at Comerica. Recently, she sang it at Keyworth Stadium in Hamtramck where the Stars once played.)

For Black History Month one year, she wanted to do “something about my dad” for our annual presentation. I wrote some monologues of three Negro League ballplayers, Stearns, Cool Papa Bell, and Jimmie Crutchfield as older men reminiscing about the old days.

Segue to a year later, and I rewrote the monologues into a one-act play that takes place on Hastings Street in Detroit’s historical Paradise Valley. I did research on the Negro League players and on Paradise Valley for the play.

This mash-up of Negro Leaguers and Hastings Street came about from my befriending blues musicians who played on Hastings. I bartended in Greektown in the ‘90s, and when I got off work I would go down to the now defunct Music Menu Bar on Monroe to listen to music. They had some great bands playing there. Through the great Detroit drummer, R.J. Spangler, I met Johnnie Basset, the famed blues guitarist who played on Hastings. I also met the extraordinary blues vocalist, Alberta Adams.

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Hastings Street in Detroit, ca. 1960. Photo credit: Detroit Historical Society

When they took their breaks, I was lucky enough to corner them at the bar and they would tell me stories about Hastings Street and its lively music scene and nightclubs and after-hours joints. One thing led to another, and I decided to bring the Negro League guys into the world of Hastings Street. I also decided a novel was more accessible to an audience than a play; one can read a novel anywhere, even on the other side of the world. (Actually, I know someone who read it in South Korea.)  So I took a deep breath and said, “Well, I think I can write a novel. We will see one way or another.”

My work in progress is a series of short stories—a dozen or so that have to do with “working Detroit.” Two, however, are set in San Francisco. Three of them will be published in a few months along with stories from three other Detroit writers, Diana Wolfe-Popa, Ryan Ennis, and Michael Schwartz, in a collection.

I pull my art from my work and life experiences. The characters in my new batch of short stories are all working people—waiters, orderlies, assembly line workers, and actors trying to scruff their way through. I am also working on a screenplay of my novel, When the Swan Sings on Hastings. I am co-writing it with Heather Buchanan, producer of AUX Media. We have a short film of the same name showing at the Royal Oak Main Theatre on August 28 at 7p.m. We are going to show the film and play some blues with a little band I put together. I play a numbers runner in the film. But I am most excited about the cast. Arthur Ray and Grover McCants, two acting veterans from Detroit, star in it. Shahida Hasan, a dynamic actress/vocalist, plays the “Aretha” role and sings her heart out.

DL: Why do you write? What do you hope to accomplish with your writing?

TG: I write because it is who I am. Creating is very important to me, be it playing guitar, acting, or whatever kind of creative activity. I could take a more spiritual stance and say it is a gift from God, which I believe. It would be wasteful if I didn’t create. Ever since I was a kid, I was an avid storyteller and it is natural for me. In terms of accomplishment, I hope to give my readers a fulfilling experience that leaves an impression after they put the book down. I want to take them “there.” I want them to feel something—visually, emotionally-—I want them to touch, smell, and listen to the world I am creating for them. I want to take them to a place that I have living in my head and in my heart. I want them to get inside someone else and feel their joy, pain, or other emotion. I believe when we read, we see the world better, and not just from our own perspective.

DL: Please talk a little about your writing process. What is your favorite part of the process? Least favorite?

TG: My writing process consists of rethinking incidents that I experienced in my life and finding the “literature” or the “story” in them. Everything in our mundane moments in life contributes to a bigger canvas or movie. I used to do a lot of writing with a glass of red wine or a pint of beer or at times a joint and sit in a corner at a bar and scribble away. Jack Kerouac called it “sketching.” I would sketch physical aspects of a room or people or conversations I overheard. I would scribble them down and then go home and within hours, maybe days or even weeks, I would take them and put them in a story with more meaning.

Then, there is the craft of the art. What can this story tell? What do I want my reader to feel? I love rewriting something I wrote months ago. I like to write and let it sit for a while and then come back to it with a clear head. A writer should not fall in love with one’s own words too much. Use only what drives the story. Pruning, cleaning up, watering, nourishing-—that is what I love. When I have nothing in the well, I stop. I play guitar and do other things, maybe act.

I can’t think of anything I don’t like about the writing process except forcing myself to write when I should be doing something else.

DL: Could you reflect a bit on what writing or being a writer has meant for you and your life?

TG: Ever since I was a kid, I was told I was a good storyteller. I never looked at it that way. I just said, “Man, lemme tell you what happened today.” After reading bios on Hemingway and Kerouac, I found how we can take our everyday moments in life and make them something bigger than that moment. There is so much to be found in our simple daily lives. The beauty of literature is that it takes these simple moments and makes them so much more important, psychologically, emotionally, and intellectually. Every second of life is holy. There is a story in everybody and that is what makes being a writer so precious, exciting and yeah, HOLY.

DL: Many thanks for joining us today. What is the link to your book’s web site so readers can learn more about it?

TG: Thank you for giving me this opportunity. Here is the link to the Amazon page for When the Swan Sings on Hastings: https://amzn.to/2LKL4Gk.

 

 

 

 

Indie Monday

Today’s guest: Andrew Charles Lark

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Every other Monday, I’ll be featuring other authors on my blog—authors who produce quality work outside the boundaries and strictures of the traditional mass-produced, mass-marketed commercial publishing world and traditional bookstore shelves.

Today’s featured guest is the multitalented author, playwright, actor, and teacher Andrew Charles Lark. Andrew is a graduate of Wayne State University, where he received his bachelor of arts degree in English. His play, Stop Up Your Ears!, a farcical account of a month in the life of Florence Foster Jenkins, won Wayne State University’s Heck-Rabi award and was produced at the Hilberry Studio Theater in Detroit. Other plays have been produced at theaters around Detroit and Hudson, New York.

Recently I posed some questions to Andrew. Here’s what he told me.

DLAndrew, welcome. Could you tell us a little about yourself?

ACL: I’m a Metro-Detroit boy through and through. For all its troubles and woes, I love this city and its thriving arts and literary scene, and I’m delighted and revel in the true renaissance it’s experienced over the last few years. Detroit is a blue collar town but it’s a town that’s in love with culture, and that’s evident when one looks at the massive international impact we’ve had in our thriving music scene with Motown, and scores of other genres; our literary luminaries like Elmore Leonard, Jeffrey Eugenides, and Philip Levine to name a few, and although I stand in the shadow of giants, I’m proud and honored to contribute, in my own small way, to our area’s literary scene through my short stories, books, and plays.

DL: Tell us about your latest book and works in progress. Where did the ideas for those come from?

ACL: I have a children’s book coming out later this year titled, Monstergarten, and it’s my hope that it will help to allay those first day jitters that many five-year-olds go through as that first day of kindergarten approaches. I’m working with Danny Raymond, a wonderful illustrator who’s found just the right mix of fun and scary to make Monstergarten a delight for children four through seven years of age, but really, I think everybody who picks it up will love it. 

I’m also writing a short story that’s one of three stories in an upcoming dystopian anthology. Two other authors, for whom I have great admiration, are contributing as well. I’m really excited about this anthology because it addresses the end of humanity. Each author has been assigned a different take on that tragic time when humanity finally snuffs it—natural, man-made, and alien/supernatural. 

My ideas for this formed over the last year or so, and I had to do something creative to help process the depressing news I see almost daily regarding our imperiled planet and humankind’s seemingly boundless lack of empathy when it comes to the environment, the climate, and rampant species extinction. This may sound depressing, but I think it’s a topic of vital importance, but rest assured—the book doesn’t have a political agenda; it’s merely three great “what if” stories written by three very imaginative authors.

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I also continue to work on The Persistence of Whispers, the sequel to Better Boxed and Forgotten, my first novel, a supernatural-fantasy-mystery set in Detroit’s historic Indian Village. I’m also writing a full-length play titled, Viv n Vince, that brings classic Hollywood and Stonewall together.

DL: Why do you write? What do you hope to accomplish with your writing?

ACL: I’ve always been a story teller; even way back in elementary school, when we students would have to get up and share something with the class, my arm would always shoot up to go first. It was always fairly easy for me to invent scenarios and assemble them into fun and imaginative stories. My father was an artist and my mother was a poet, so I think some of that rubbed off. My brother is a musician, and my sister has mad skills in the kitchen as a professional chef, so we were always encouraged in our individual artistic endeavors.

As far as accomplishing anything with my writing, I can only hope that my stories and plays engage and entertain. Deeper themes always manage to creep into my stories, but in ways that are not overt and obvious, and that’s fine. I guess it’s like this: if you’ve ever walked out of the cinema after having seen a great film that generates great conversation between you and the person you saw the film with—that’s what I hope to accomplish. I hope to entertain and to make you think a little perhaps.

DL: Please talk a little about your writing process. What is your favorite part of the process? Least favorite?

ACL: When my writer hat is on, I strive to get, at a minimum, two single-spaced, 12 font, New Times Roman pages down on paper. I typically don’t write at home. I enjoy writing in coffee houses where there’s a slight buzz of people engaged in their individual things. I tune the white noise out and get to work, but I need to look up every now and see what’s going on.

I love those times when I’m writing and the subconscious seems to take over. As it is with Freud’s concept of the Id, Ego, and Super Ego—these reside inside and are instrumental to my process. When they’re in harmony, there’s a stasis and equilibrium, and my writing goes swimmingly, and other times there are battles and conflicts and I really struggle to get words onto the page. I also self-edit. I’ve heard that this is a bad habit that I should try to break, but I can’t help it. I’m a bit compulsive, and if, for example, there’s an error on page four, or an awkward sentence that needs work on a previous page, this will bug me and stand in my way until it’s fixed to my satisfaction.

My least favorite parts of the process are when things have run dry and I’m struggling for ideas. For example, it’s taken me way too long to finish The Persistence of Whispers, and that’s because I’m struggling with a well that needs time for the waters to replenish. Honestly, if I had it to do all over again, I would have written Better Boxed and Forgotten as a stand-alone book, but I didn’t, and I owe it to those who loved it to soldier on with book II.

DL: Could you reflect a bit on what writing or being a writer has meant for you and your life?

ACL: Again, I’ve always been a story teller. It’s the way I process stimuli. A teakettle whistles when the water starts to boil, and it’s the same with me. The ideas roil and boil inside and they need to pour out. My writing has also brought me the gift of being part of a great community of Detroit area, independent authors whose work and creativity inspire me in my own work.

Writing for the theater has been rewarding as well, in that a couple of my plays have enjoyed professional productions both in Detroit and New York. It’s an incredible experience watching a play that I wrote—something that came from my imagination—engage, other professionals in their skills with costumes, lighting, set design, directing, and acting—and watching how my plays have been interpreted by these other artists is the most fascinating aspect of all.

DL: Many thanks for joining us today. What are links to your books, website, and blog so readers can learn more about you and your work?

ACL: Thank you for the interview. It was an honor and a lot of fun. My website and blog: www.alarksperch.com.

Better Boxed and Forgotten’s Amazon Page: https://www.amazon.com/Better-Boxed-Forgotten-Archive-1/dp/1508873143/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1560536789&sr=1-1.

My Facebook Page is: https://www.facebook.com/andrew.lark.5.

Indie Monday

Today’s Guest: Patrick W. Gibson

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Beginning today, Indie Thursday becomes Indie Monday. Every other Monday, I’ll be featuring other authors on my blog—authors who produce quality work outside the boundaries and strictures of the traditional mass-produced, mass-marketed commercial publishing world and traditional bookstore shelves. On alternate Mondays, I’ll be making my own posts about the writing life.

Today’s featured guest is Patrick W. Gibson. Recently I posed some questions to Patrick. Here’s what he told me.

DL: Welcome. Could you tell us a little about yourself?

PWG: I’m a Michigan native and a Wayne State grad. In the past five years, I’ve also attended The Writers Studio and obtained a certificate in fiction writing from UCLA. My day job has taken me for extended living periods in Chicago, Toronto, and Japan. These experiences show up in my writing.

My short stories and flash fiction pieces favor a working class feel. I’ve been published by The Flexible Persona, Medusa’s Laugh Press, Wraparound South, Dark Ink Press, Fiction Attic Press, ARTIFEX, UofM Bear River Review, and the Ripples in Space podcast.

My wife and I live in Northville and she’s my biggest supporter in this writing adventure. We enjoy home and family, traveling, and have been avid SCUBA drivers. Three shark dives, without cages, and all limbs intact!

I’m also a hobbyist musician and my enthusiasm more than compensates for any shortages in singing and guitar playing ability.

I run the Northville District Library Writers Group. So, if you find yourself near the library on the fourth Wednesday of each month, around 7 pm, then join us for supportive discussion and feedback.

DL: Tell us about your latest works in progress. Where did the ideas for those come from?

PWG: I’ve completed one novel manuscript and I’m querying it right now with the goal of getting a traditional publishing contract. I’m also working on two more manuscripts. One is a sequel to the queried work, and the second is in a different genre, horror. All three are big city, working class tales, grown from short stories, and born from my studies at UCLA and The Writers Studio.

Besides the big projects, UofM Bear River Review recently published my flash story about an elderly couple and their love for each other and an old Buick. It’s a vision of love transitioning the physical challenges of age and dementia. I was drawn to the age and memory loss aspects from my own father’s battle. The story’s twist is fictional.

Artifex literary magazine published a creative non-fiction piece about my mother-in-law’s journey from Nazi Germany to the United States via Canada. It’s a little story set within a big story setting and deals with becoming a US citizen on the very day President Kennedy was assassinated.

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And Ripples in Space produced my sci-fi story “Apprehension Soars” as a podcast complete with music and sound effects! I could describe the story, but it’s more fun to listen to it here.

The ideas for my work often come from family and family challenges. For example, The Flexible Persona literary magazine published my creative non-fiction piece, “Birthday with Dad.” I spent one birthday with my father, and my recollection, told through a blend of baseball love and a musty estate auction, outlines a childhood. You can read it here.

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Other ideas for my work are all fiction. For example, the journal Wraparound South called for story submissions featuring contemporary Southern literature that “disrupts the expected.” My piece featured reflection and upheaval in an urban Southern family. Read it here.

And please check out my back-porch advice on writing here, also in Wraparound South.

DL: Why do you write? What do you hope to accomplish with your writing?

PWG: I write because I enjoy creating characters, putting them into situations, and seeing how they react to the quandary at hand. I’m especially drawn to flash fiction, which challenges me to develop a character, tell a complete story including emotion and a twisted ending, all in the fewest words.

I hope to craft compelling stories that captivate readers and leave them thinking about their own situations. My work may be serious, comical, even educational, but at the core is characterization. I might apply themes others might choose not to write about and situations we may not want to deal with, think dementia, family alcoholism, absent parents, and divorce. But most of us have witnessed it, perhaps experienced it. I know my characters have.

DL: Please talk a little about your writing process. What is your favorite part of the process? Least favorite?

PWG: I love doing the research and reading everything I can, in whatever genre I’m working in. I don’t think you can write well unless you read, reflect, and learn from others.

During the early stages of a big project, I like to write scenes from the beginning, middle, and end simultaneously. I do this because the plot is still malleable, the character development immature, and I’m really not sure where I’m going with things. But once I have a few dots, connection and refinement can occur.

I’ve grown to enjoy the editing process. Self-editing is one necessary discipline but working with a professional editor is very different. Your manuscript, the one you’ve worked so hard on and for so long, now becomes a team effort. It’s no longer just about you! Trust and a solid working relationship are crucial, for both parties. Similar comments apply to critique groups and beta readers.

I’m heavily involved in the query process, and it’s new to me, so I can’t say querying and publishing are my favorites, but I think any trepidation is due to their newness. Long term I expect I’ll grow to enjoy them like the other aspects in this fascinating business.

DL: Could you reflect a bit on what writing or being a writer has meant for you and your life?

PWG: Writing and success with my published short stories has enabled me to step back from the day job that used to be all-consuming from a professional standpoint.

Being a writer has also allowed artistic growth beyond words on paper. One of my characters strives to be an actor, and I took a few acting classes so I could write about the fear of going on stage. I did that, but I also learned how difficult it was to give a ten-minute monologue, memorized, and delivered with honesty and realism.

I’ve worked with local musicians, notably Bill Boley and Jill Jack, to learn vocal, instrument, and songwriting skills. Bill runs a weekly rock/folk class in Plymouth that has built my confidence in front of groups. Nothing says performance like being called on to sing “Don’t Stop Believing” in your best falsetto, while strumming a guitar. And Jill’s Big Dream studio in Ferndale is a multi-disciplined inspirational space. It’s amazing to see your poem transformed via chords, melody and voice into a three-dimensional entity.

All these actions have expanded my writing abilities and enriched my life.

DL: What are links to your books, website, and blog so readers can learn more about you and your work?

PWG: My website is the place to find links to my published work, follow my blog entries, and join me on my writing and creative journey: https://patrickwgibson.com.

Follow me on Twitter at: https://twitter.com/pwgibsonauthor.

My Facebook page is: https://www.facebook.com/profile.php?id=100009860826706.